| 작가 | Jan Anthonisz. van Ravesteyn (Dutch, c. 1570–1657) |
|---|---|
| 제작 시기 | 1620s |
| 분류 | Painting |
| 재료·기법 | oil on wood |
| 문화권 | Netherlands |
| 소장 부서 | European Painting and Sculpture |
| 이용 조건 | 퍼블릭 도메인 (CC0) — 수업·인쇄에 자유롭게 사용 가능 |
How do you conserve a painting when portions are missing? <br><br>The mid-treatment image (below) shows the painting after cleaning, when earlier restorations had been removed. In the painting on view, notice how the conservator reconstructed portions of the sitter’s lace collar and elaborate necklace. She re-created missing passages after studying the artist’s technique in other works and carefully emulating his treatment of the remaining lace and elements of the twisting, three-dimensional necklace. Conversely, there was not enough information to reconstruct what was probably another ornament at the back of the sitter’s head, so the decision was made not to speculate and invent something in that space.
이 작품은 퍼블릭 도메인이라 수업 자료로 자유롭게 내려받아 인쇄하거나 화면에 띄워 쓸 수 있습니다. Jan Anthonisz. van Ravesteyn의 표현 방식을 관찰하고 따라 그려 보거나, oil on wood 기법에 대해 이야기 나누는 감상 수업에 활용할 수 있습니다.
이미지 출처: 클리블랜드 미술관(The Cleveland Museum of Art) 오픈액세스. 원본 소장 정보 · LUNA WHALE ART에서 더 많은 명화 검색하기